Police, from the series Two Kinds of Memory and Memory Itself, 2015 John divola captured instinctively or automatically with

captured instinctively or automatically with approximate optics and devices cobbled together using scrap materials

forges and steelworks - not easily transformed into industrial units or office space - quickly morphed into housing estates

a brilliant photographer inspired by his quest for justice and his concern for truth so clearly reflected in his photographs

WILD is famed wildlife photographer Michael Nichols’ choice of his favourite images

Police, from the series Two Kinds of Memory and Memory Itself, 2015 John divola captured instinctively or automatically withSpecifications for all available Prints 6" x 6" Magnum Square print Fuji Crystal Archival Matte paper Signed on verso by Max Pinckers Mint condition About Max Pinckers Max Pinckers is a Belgian photographer based in Brussels. He has self published the books The Fourth Wall; Will They Sing Like Raindrops or Leave Me Thirsty, which won a Photographic Museum of Humanity grant; and Red Ink, which won the Leica Oskar Barnack Award. He was a nominee member